Music Licensing for Business.

Playing music in your business? Personal apps like Spotify won’t cover it - you need a license.

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This article is provided for general information purposes only and does not constitute legal advice.

Why playing music in business requires a licence.

Music is protected by copyright the moment it's created, and UK law gives songwriters, performers and labels the exclusive right to decide where their work is played in public. Playing music anywhere outside a private home - even just for staff - counts as a public performance, and needs their permission.

That permission covers two rights bound up in every track: the composition and the recording. The fees go back to the people who made the music - and it applies whether you're playing the radio, a streaming subscription, or music you've bought outright.

You can’t legally play Spotify, Apple Music or YouTube Music at work.

Personal streaming apps are licensed for private, non-commercial listening only - their own terms of service explicitly rule out business use. Playing them in places like shops, cafés, gyms, or offices is a “public performance” under UK copyright law, even if it’s only staff who can hear it. 

And it’s not just streaming apps. Broadcasting a personal CD, downloaded MP3s, or a homemade playlist through your sound system is illegal without the right licence - even if you paid for every track. Ownership of the track doesn’t give you the right to perform it in public - that’s where PPL PRS comes in.

PRS, PPL and PPL PRS for Music: What each covers.

 
PPL
PRS for Music
Who they pay
Performers and record labels.
Songwriters and composers.
What they cover
The recording - the specific performance you hear.
The composition - the underlying music and lyrics.
Who they represent
130,000+ performers and recording rights holders.
160,000 songwriters, composers and publishers.
Do you need it?
Yes, for almost all recorded music played in public.
Yes, for almost all recorded or live music played in public.
PPL PRS for Music
Who they pay
Performers and record labels Songwriters and composers
What they cover
The recording - the specific performance you hear The composition - the underlying music and lyrics
Who they represent
130,000+ performers and recording rights holders 160,000 songwriters, composers and publishers
Do you need it?
Yes, for almost all recorded music played in public Yes, for almost all recorded or live music played in public

Since PPL and PRS for Music joined forces, most businesses arrange both together as a single licence - TheMusicLicence, for their premises.

How much does a music licence cost?

Cost depends on your sector and how you use music - PPL PRS bases it on things like floor area, seating capacity or staff numbers. As a guide, here’s what some published 2026 examples look like:

Sector Type Annual Cost (+VAT) Starts From...
Office & Workplace
Play music in an office (4 or fewer staff) £168.25 46p per day
Shops & Stores
Play music (audible area of 50sqm or less) £235.50 64p per day
Fitness & Dance
A fitness instructor holding three classes every week for 50 weeks of the year £333 91p per day
Hair & Beauty
Play music via radio (10 or fewer seats) £391.55 £1.07 per day
Restaurants & Cafe
Play music via a radio (up to 30 seats that is 400sqm or less) £536.96 £1.47 per day
Pubs & Bars
Play music via radio (400 sqm or less) £437.83 £1.20 per day
Live Music
A pub or bar could perform live music their premise for up to 100 people at a one off event £14.21 14p per person

All cost examples are subject to change. Office and Workplace, Shops and Stores, Hair and Beauty updated February 2026. Fitness and Dance updated February 2026. Restaurants and Cafés updated February 2026. Pubs and Bars updated February 2026. Daily cost examples are based on music usage for 365 days a year.

View latest examples here.

A music service that’s legal for business.

A professional background music service supplies fully licensed music content - but PPL and PRS licences are separate, and remain the venue's own responsibility to obtain. No provider, including a professional one, arranges these on your behalf. 

What professional background music services can provide are professionally curated playlists built from a catalogue made for commercial use, and a single centralised platform that gives the head office full visibility and control across the entire estate.

Find out more about Music

Music licensing outside of the UK.

If you’re opening sites outside of the UK, you’ll need the local equivalent of PPL PRS for each territory.

Country Licenses
United States
ASCAP (American Society of Composers, Authors, and Publishers): ASCAP is a performance rights organisation based in the United States. It represents songwriters, composers, and music publishers by licensing their music to various entities such as radio stations, television networks, streaming platforms, live venues, and more. ASCAP collects royalties for the public performance of musical compositions and distributes those royalties to its members based on the usage of their works.

SESAC (Society of European Stage Authors and Composers): SESAC is a performance rights organisation that operates in the United States. It represents songwriters and publishers in a manner similar to ASCAP and BMI. SESAC focuses on providing personalised attention to its members and tailoring its services to their needs. It offers licensing solutions for various types of music usage and collects royalties on behalf of its members.

BMI (Broadcast Music, Inc.): BMI is another prominent performance rights organisation in the United States. Like ASCAP and SESAC, BMI licences the public performance rights of musical compositions. It represents songwriters, composers, and music publishers and collects royalties from music users such as radio stations, television networks, digital services, and live venues. The collected royalties are then distributed to BMI members based on the usage of their music.

GMR (Global Music Rights): GMR is a relatively newer performance rights organisation in the United States. It was founded by music industry executive Irving Azoff to represent a select group of high-profile songwriters and artists. GMR focuses on negotiating more favourable licensing terms for its members' works, particularly in the realm of radio airplay and public performances. It operates independently from ASCAP, BMI, and SESAC, and its roster includes well-known artists and songwriters.

AllTrack: AllTrack is a United States–based performing rights organisation (PRO) that represents songwriters, composers, producers and music publishers. It licenses their music for use by broadcasters, streaming services, live venues, businesses, and other public-performance contexts, then collects the resulting royalties and distributes them to its members. AllTrack is particularly aimed at independent creators, offering free sign-up, 100% rights ownership, and worldwide royalty collection.

If you're in the US, your subscription to Startle includes the public performance licences, but you may need to obtain additional licences if you conduct physical activity to music (such as a dance studio or fitness class), play music from another source (such as a DJ, karaoke, or live music), or charge an admission fee.
Ireland
IMRO (Irish Music Rights Organisation): IMRO is the equivalent of PRS in Ireland. It's responsible for collecting and distributing royalties to songwriters, composers, and music publishers for the public performance and broadcast of their musical works.

PPI (Phonographic Performance Ireland): PPI is the Irish counterpart of PPL. It focuses on collecting and distributing royalties to performers and record labels for the public performance and broadcast of sound recordings.
Australia
APRA AMCOS (Australasian Performing Right Association and Australasian Mechanical Copyright Owners Society): APRA AMCOS manages the public performance and communication rights of songwriters, composers, and music publishers, as well as mechanical reproduction rights. This includes collecting royalties for music played in public places, on the radio, on television, and in other public settings.
Canada
SOCAN (Society of Composers, Authors and Music Publishers of Canada): SOCAN is the Canadian performing rights organisation that represents the interests of music creators, including songwriters, composers, and music publishers. It collects and distributes royalties for the public performance of musical works in Canada.

Re:Sound: Re:Sound is responsible for collecting and distributing royalties for the performance rights of recorded music in Canada. It represents performers and record labels and ensures that they receive fair compensation when their recordings are played in public or broadcasted.

Faqs.

Frequently asked questions.

Do I need a licence to play music in my business?

Yes, in almost all cases. Under the Copyright, Designs and Patents Act 1988, playing or performing music anywhere outside a private home counts as a “public performance” and needs permission from the people who created it, even if it’s only your staff who hear it. Since PPL and PRS for Music joined forces, that permission comes as a single licence, TheMusicLicence, covering both the recording and the composition.

What’s the difference between PPL and PRS?

PPL licenses the recording - the performers and record label behind the specific version of a track you play. PRS for Music licenses the composition - the songwriters and composers who wrote it. Most music needs both, which is why they’re now issued together as TheMusicLicence rather than as two separate licences.

What happens if I’m not licensed?

PPL PRS can visit or contact your business to check what’s playing. Going without a licence can mean backdated fees (plus a surcharge, for up to six years of use) and legal costs - UK court cases have seen businesses ordered to pay anywhere from £1,500 to £19,000 including costs. Sorting it upfront is far cheaper and simpler.

How much does a music licence cost?

It varies by sector and how much you use music. As a rough guide, published 2026 examples range from around £168/year for a small office up to £537/year for a cafe or restaurant (both +VAT). Get an exact quote from PPL PRS.

Does Startle sort my PPL and PRS licence for me?

Not directly - TheMusicLicence has to be issued in your business’ name, tied to your premises, so we can’t sort it for you. What we do is make sure you know exactly what you need, and give you a music service that’s built for legal commercial play from the moment your licence is in place.